tag:blogger.com,1999:blog-35756941197910843962024-03-08T06:36:09.974-08:00Stories & IdeasHarrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.comBlogger25125tag:blogger.com,1999:blog-3575694119791084396.post-19561301734636107572011-08-12T17:49:00.000-07:002011-08-14T18:31:58.618-07:00CharlieCharlie was a busboy at a restaurant, oddly enough, named Charlie's. He was not the owner. In fact, the owner was not named Charlie but had lost a bet with a friend many years earlier which required him to name his newest restaurant as such.
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<br />Charlie was an idiot although he was competent at his job. People tended to stay out of his way since he was easily rattled and distracted. In a four shift it was rare for him to speak more than ten words at any given moment. This was the way people liked it and wanted it.
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<br />This was not the way, however, that Susan had been raised. She was a regular at Charlie's but only started to notice Charlie the busboy recently. At first it was pure curiosity which caused her to ask her favorite waiter "Why do people make a point of not talking to that boy?" The waiter claimed ignorance and then clearly chose the inconvenient route to reach the kitchen in order to avoid him. This only furthered to pique Susan's interest but she bided her time.
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<br />Over the next couple months she made observations in the hopes of understanding the situation. Charlie seemed to move swiftly throughout the restaurant - he never had to be called to clean a table or a spill.
<br />Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-61626646950535757192011-03-26T01:30:00.000-07:002011-08-14T18:32:51.399-07:00Euclid Street<span style="font-style: italic;">Long unintended extended hiatus over as spontaneously as it began.<br /><br />Ironically, Euclid Street was the main road in my college town but I never thought of it as the premise for a story until seeing it in LA.<br /><br /></span><style>@font-face { font-family: "Times New Roman"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }table.MsoNormalTable { font-size: 10pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; }</style> <p class="MsoNormal" style="text-align: center;" align="center"><b>Euclid Street - Part 1<br /></b></p> <p class="MsoNormal" style="text-align: center;" align="center"> </p> <p class="MsoNormal"><span style=""> </span>If Tom Sharp had been told when he was eighteen that by thirty four he would be married, divorced, married again, divorced again, dating a girl from Mississippi, and have two children and one dog, all under five years old, he might have tried to steer his life in an altogether different direction.<span style=""> </span>But, as it happened, he had not been informed, and in August of 1995, at age thirty four, Tom Sharp found himself moving in with his girlfriend, Karen Peters, on Euclid Street.</p> <p class="MsoNormal"><span style=""> </span>Her father had found the house for sale one morning during his daily run, nearly thirty years earlier.<span style=""> </span>He immediately sprung into action by jogging into the open house.<span style=""> </span>He met with the broker, jogged up and down to the master bedroom and the basement, and left his business card.<span style=""> </span>Later that day, he owned the house.</p> <p class="MsoNormal"><span style=""> </span>He moved in with his pregnant fiancé in 1972 when Euclid Street was at the beginning of its rebuilding.<span style=""> </span>Most of the houses were relics form the turn of the century.<span style=""> </span>One house, number 1861, was built the year the War of Northern Aggression began.</p> <p class="MsoNormal"><span style=""> </span>When Mr. Oscar Peters moved into his house on Euclid Street, the entire neighborhood received a facelift.<span style=""> </span>The Peters family was descended from some of the first pilgrims, or so they claimed, and were accustomed to living an affluent life.<span style=""> </span>Martha Dunn, Oscar’s fiancé, who was lucky enough to fall in love with such a distinguished man, and enter into a life of luxury, was at first appalled and confused at Oscar’s rash purchase.</p> <p class="MsoNormal"><span style=""> </span>“You could have any house in any town,” Martha said in an airy Alabama accent.</p> <p class="MsoNormal"><span style=""> </span>Oscar did not listen to her complaints, and Martha eventually came around.<span style=""> </span>Two months later Karen was born and Martha’s concerns about her husband’s realty choices were all but forgotten.<span style=""> </span>Besides, she knew that Oscar was no fool.</p> <p class="MsoNormal"><span style=""> </span>And so did Oscar.<span style=""> </span>He was not the type of man to live somewhere that did not live up to his grandeur.<span style=""> </span>He was known in town as somewhat of a perfectionist.<span style=""> </span>His lawn was cut at just the right length.<span style=""> </span>His house was always at the right temperature.<span style=""> </span>The shade in the backyard only brought refreshing breezes, never chills.<span style=""> </span>Similarly, his parties were frequently the highlight of the social calendar.<span style=""> </span>Everyone looked forward to the somehow perfectly mixed sweet teas.</p> <p class="MsoNormal"><span style=""> </span>Though he was a humble man, he was not a peasant and did not want to be surrounded by them.<span style=""> </span>However, he was also a man who did not give up on what he loved simply because it was not perfect.<span style=""> </span>He loved the house.<span style=""> </span>And he wanted the street.</p> <p class="MsoNormal"><span style=""> </span>When Oscar stepped into City Hall and laid ten grand on the table (in words, not dollars), the Euclid Street Renaissance, which turned into the Estoria Township Renaissance, began.<span style=""> </span>Many were skeptical about his plans, and refused to pay any attention to him, thinking the whole project to be a display of wealth by an arrogant man.<span style=""> </span>Oscar paid them no attention, and no money.<span style=""> </span>Years later, those same skeptics attempted to buy houses on Euclid Street, only to be turned down by the Euclid Council, headed by Oscar Peters.</p> <p class="MsoNormal"><span style=""> </span>Tom Sharp knew very little of this history, for all his facts about the Estoria Township came from Karen Peters, who had left the town for boarding school when she was sixteen and stayed away for nearly twenty years.<span style=""> </span>She kept in touch with her family, and saw them at various vacation spots around the world, but it was not until she turned thirty that she felt a desire to return to Euclid Street</p> <p class="MsoNormal"><span style=""> </span>Karen and Tom met in New York City where both lived in comfortable downtown apartments near NYU.<span style=""> </span>Tom first saw Karen at a mutual friend’s party, but did not meet her until several weeks later at the same friend’s movie screening.<span style=""> </span>The film was entitled “To Begin Again” and revolved around a married couple facing relationship problems.<span style=""> </span>It was based on some real experiences that Tom knew about all too well.<span style=""> </span>He was amazed to see the couple make it through the ordeal and then have the confidence in themselves to go through it all over again by making the film.</p> <p class="MsoNormal"><span style=""> </span>After the screening there was a small cocktail reception in the lobby and Tom saw Karen for the second time.<span style=""> </span>Her dress caught his attention.<span style=""> </span>It was polka dot.<span style=""> </span>He could not remember the last time he had seen a grown woman wearing a polka dot piece of clothing, let alone an entire dress.<span style=""> </span>She was between conversations when he got to her. <span style=""> </span>“You’re a popular gal,” he said behind her as she reached for some hor d’oeuvres.<span style=""> </span>She turned and mistook his comment to be from another friend and immediately started talking to the man standing next to Tom.<span style=""> </span>The friend, a little surprised at the situation because he knew who had tried to speak to Karen, did not stop the conversation because Karen was pretty and he also had a crush on her.</p> <p class="MsoNormal"><span style=""> </span>As the reception wined down, Tom attempted again, after having boosted his confidence by introducing himself to more than a few jack and cokes.<span style=""> </span>This time, he approached the filmmaker, John Swallow.</p> <p class="MsoNormal"><span style=""> </span>“John, who’s that girl in the polka dots?” Tom asked when he finally did get a chance to talk to the director.<span style=""> </span>In fact, those were the first words Tom had spoken to him all night.<span style=""> </span>He did not even comment on the film.</p> <p class="MsoNormal"><span style=""> </span>“There’s someone wearing a polka dot dress at my film premier?” John asked, bewildered.<span style=""> </span>“Who invited her?”</p> <p class="MsoNormal"><span style=""> </span>“I have no idea but don’t make her leave before I get her number.”<span style=""> </span>Tom discreetly pointed in Karen’s direction and both half stared, half looked disinterested.</p> <p class="MsoNormal"><span style=""> </span>“Oh,” John said, turning his back to her so that he could have a real conversation, “that’s Karen Peters.<span style=""> </span>She works in advertising.”</p> <p class="MsoNormal"><span style=""> </span>Tom sipped his drink and kept his gaze on her.<span style=""> </span>After a brief silence, he finally looked back at John.<span style=""> </span>“Well, are you going to introduce us?”</p> <p class="MsoNormal"><span style=""> </span>John looked back at his friend, contemplating Tom’s background.<span style=""> </span>John had been friends with Tom’s second wife and had heard stories of the first.<span style=""> </span>He did not know all the details of the divorce and Tom did not offer them.<span style=""> </span>What he did know was that Tom was often rash when it came to women.<span style=""> </span>He would become infatuated with a woman and persist after her until his love waned and left both of them spent.<span style=""> </span>He had seen it happen to another one of his friends, Susan McCord, and was not particularly interested in seeing it happen to another.<span style=""> </span>John toyed with the idea of refusing to introduce them but realized their friendship was stronger than that.<span style=""> </span>He made a mental note to talk to Karen separately.</p> <p class="MsoNormal"><span style=""> </span>But Tom proved his friend wrong.<span style=""> </span>Not only did Tom adore Karen but she loved him back, and within six months the two were living together in Tom’s former bachelor apartment.</p>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-26354480889455596732009-08-05T23:26:00.000-07:002011-08-14T18:33:25.965-07:00Scriptwriting<span style="font-style: italic;">This post was actually written a few months ago but i never posted it. The script in question is now no longer being worked on, but this is an effort to get this blog going again.</span><br /><br />Working on a new script - first script in years. I'm really excited about it.<br /><br />A friend contacted me asking would I help write her write a script based on the story she's been thinking about for years. The basic plot is that a man loses his job and thus becomes very depressed and becomes infatuated with a street performer, losing interest in wife. There is a murder and an interesting psychological/paranormal twist but I won't reveal it.<br /><br />This is the first time I've ever been asked to flesh out someone else's idea and I found it liberating. She sent me a rough outline for the story, some sparse but definite details about the setting, characters, story arc. What I loved was being asked to just expand and open up the story and I think I did a fairly good job, for first thoughts.<br /><br />It was incredibly liberating to work on someone else's story. I haven't written anything of my own in a very long time but suddenly working on another person's idea gave me the ability to just suggest everything for the story. It was a great brainstorming session. Rarely do I have sessions like that for my own story. I usually start writing and try to work everything out along the way. Really, what I should be doing, I realized, is fleshing out the idea before even starting - not necessarily make an outline, but expand on the characters lives, setting, any possible story points, just so I could understand the world more.<br /><br />I feel like I need to do more research for my writing also.<br /><br />This is becoming too much like a normal blog post, just wanted to say that I'll be writing soon.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-44523626955982186142009-03-30T13:28:00.001-07:002011-08-14T18:34:55.691-07:00Long WinterIt's been a long winter filled with long work hours, amongst other things, and very little writing in between. Hopefully this post will spark a resurgence in creativity.<br /><br />I've begun collecting ideas for a book of short stories. Right now there are just titles with vague concepts. See below.<br /><br />Walking with the Living, Sleeping with the Dead - just heard someone say this in the office and found the phrase fascinating. I don't know if it has any real meaning but I'm sure it can be put to use. This could used for an obvious vampire story, or something a bit more philosophical, maybe a story of a family dealing with the recent death of someone close.<br /><br />Saving Fish from Drowning - this came from a ted talk (http://www.ted.com/index.php/talks/amy_tan_on_creativity.html) by Amy Tan and she mentioned this phrase as a part of a Burmese folk tale. She already used it as a title for one of her books but I think it could still be used as a short story, if not as the title than as a central theme. <br /><br />Cadillacs and Rose Milk - been starting and stopping on this story. The title phrase came to me one day and I just thought it sounded beautiful and romantic. The story I started writing is not as beautiful or romantic; it became a prequel, of sorts, to another unfinished story but I didn't like where it was headed so I stopped. I keep trying to revitalize it but I'm thinking I'll have to start over. I don't mind the idea of a prequel but I just didn't appreciate where the current story was going.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-34579591945559998722008-09-28T19:01:00.000-07:002011-08-14T18:34:55.692-07:00Sentences<span style="font-style: italic;">Here are two sentences from the same story. The actual story is nothing but these two sentences and the writing is influenced in no small part by John Irving, possibly the best fiction author alive today.</span><br /><br />"The chandelier in my house was an Old World relic, something specifically called for and transferred across the globe, and has been in the main hall since the day the ceiling was built to hold it."<br /><br />"The day I committed suicide I knew exactly what I was thinking."Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-33072262806378689862008-09-14T22:07:00.000-07:002011-08-14T18:34:55.692-07:00Two New Ideas<span style="font-style: italic;">We were at a bar and I was talking with a friend. I'm not sure how it came up, but this is what he said.</span><br /><br />"You can't fix holiness."<br /><br /><span style="font-style: italic;">I think this is a great quote and opens many possibilities for stories and thoughts. When have you ever heard of someone trying to fix holiness? Is it something that needs fixing? Can it be fixed? I just think it's an interesting concept to be incorporated somewhere.<br /><br /><br /></span><div style="text-align: center;"><div style="text-align: left;"><span style="font-style: italic;"><span style="font-style: italic;"><span style="font-weight: bold;">250 Toilet Seat Covers</span><br /></span></span>I'm standing at the urinal at a bar and see something very strange. In front of me, written in bold sharpie, are the words: "For a good time, call 555-7682." Two things strike me. First, that is one of the most overused lines in bathroom wall literature. The writer really could not come up with anything better, especially in such a prominent location? Perhaps he has other writings scattered about with greater literary merit and this just happens to be the one that we all notice.<br /><br />Second, that's my phone number.<br /><br /><span style="font-style: italic;">The idea for this story came from two different sources. I'm reading "Straight Man" by Richard Russo right now and the concept I have for this character is similar to the main character in his book. Second, I was at a bar called Busby's and above the toilet are those disposable covers and it has printed on it, very proudly, "250 Toilet Seat Covers" as if other brands would never package that many covers together. So the story is about this guy, a teacher (perhaps) who gets put into these ridiculous situations, spawned by his number being written on the wall. It's basically a quest to find out who wrote his number and why and a story about the people who end up calling him. At the same time, he's trying to put a good face on his life by being proud/bragging/showing off something odd that isn't necessarily something to be proud of, such as housing 250 toilet seat covers.<br /><br />Still fleshing out the details.<br /></span></div><span style="font-style: italic;"></span></div>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-78554049639948043692008-08-02T21:00:00.000-07:002011-08-14T18:35:12.724-07:00Travel Island - Chapter 1<span style="font-style: italic;">Here is something I started a few years back. I was writing a script for a class and this story idea just kept popping up and I could not concentrate on my script. Finally, I took a night off from the screenplay and wrote this. I find this story fascinating and unfortunately it has come to a halt the past couple years. I keep revisiting it, however. Chapter 3 is almost finished and Chapter 4 is halfway done. I'm really excited to see where this goes. I hope you are too.<br /><br />And the title of the story is definitely changing. Those are just the two main themes of the story so it nicely describes it.<br /></span><br /><span style="font-weight: bold;">Chapter 1 – Answers Have No Place in a World of Questions</span><br /><br /> Sally was unpacking her things. One suitcase sat on her bed, open, half emptied. Another was against the wall, closed and obviously bursting. She exited the closet with some hangers and proceeded to her bed. It was made and looked like it had been empty for weeks. The clothing was warm-weathered, in contrast to the snow that was starting to fall outside the window.<br /> The phone rang and she jolted. Her clothes dropped back into the suitcase, crumpling her carefully folded seams.<br /> It rang again and she went to answer. “Hello?”<br /> “You miss me?” It was a familiar voice.<br /> “How’d you know I was back already?”<br /> “Listen, there’s no time to explain myself. I hold in my hand two tickets to the Pacific Islands.”<br /> “Which one?”<br /> “Does it matter?”<br /> “Not really.”<br /> “Good, then I’ll expect to see you at the airport in an hour.”<br /> “Wait a minute. I haven’t even unpacked yet.”<br /> “Well then grab your suitcase and call a cab.”<br /> “I just got back.”<br /> “There’s no time like the present.”<br /> “Just what’s on this island that’s so important?”<br /> “As I said, there’s no time to explain myself. See you at eight.”<br /> The line went dead and Sally took the receiver away from her ear, staring at it. She looked at her suitcase. The luggage sticker was still on it from her previous trip. She had only returned to her apartment maybe twenty minutes earlier.<br /> She hung up the phone and took the clothes with the hangers into her closet. Moments later she exited with the shirts she had already put away. “Damn it, Alex,” she said, throwing the clothes into the bag and reaching for the phone. She dialed.<br /> “Hello?”<br /> “Raimi, it’s me.”<br /> “Sally, didn’t I just drop you off?”<br /> “Yeah, about that…your car’s still warm, right?”<br /> “Right…”<br /> “Then it won’t be much of a problem for you to come get me and bring me to the airport, right?”<br /> “You serious? Did you forget something?”<br /> “Yes and no. I’ve got another flight in an hour.”<br /> “Then why did you bother coming home?”<br /> “Cause I didn’t know about it until now. Will you drive me or not?”<br /> “I’m walking out the door. Give me five.”<br /> “Thanks, Raimi. I’ll be outside.”<br /> Sally hung up and looked at the clock on her wall. It read five past seven. The airport was roughly thirty minutes away. She would be on time provided there wasn’t much traffic or weather problems.<br /> She gathered her things and brought them into the hall. Turning to grab her keys, she noticed her two goldfish staring at her. “Shit,” she exclaimed, forgetting her keys and going back to her bedroom for the phone.<br /> “Hello?”<br /> “Yeah, Laura, it’s me.”<br /> “Oh, Sally, how was your trip? Did you take pictures? Meet anyone?”<br /> “I have answers for all those questions, but right now I need to talk about the fish.”<br /> “Oh. I fed them every other day like you said. They seemed fine. What’s wrong?”<br /> “Nothing, they’re fine. But I need you to look after them again.”<br /> “Why, where’re you going?”<br /> “The Pacific Islands.”<br /> “Which one?”<br /> “Not sure yet.”<br /> “What’s the occasion? Didn’t you just get back?”<br /> “I don’t know and yes. Can you do it or not?”<br /> “Yeah, sure. I left my key in your apartment so just leave it under the rug outside or something.”<br /> “Of course. Thanks so much.”<br /> “I expect full details when you return.”<br /> “Naturally. So long.”<br /> Sally returned to the hall, grabbed her keys, and looked around. “Fish, check. Ride, check. Luggage, check. Sanity…” She paused and looked down at her two suitcases. What was she doing? She had a life to get back to. She couldn’t always be on tropical vacations with unknown purposes.<br />She turned from her suitcase to the window. Snow was falling in and out of the streetlights. “Sanity, check. All right, looks good.” She opened the door, dragging her bags out, then shut and locked it. She put Laura’s key under her welcome mat and went down the hall towards the elevator.<br /> Minutes later she was outside. Raimi was already waiting. He got out of the car and grabbed a bag. “So can you offer me an explanation?” he said, opening the rear passenger door and stuffing the bag in. He turned to accept the other one.<br /> “I’ll let you know everything as soon as I know it,” Sally responded, handing off her bag and getting into the car. Raimi looked at her, perplexed, then entered the car and pulled off.<br /> “Where’s this other flight to?” he asked.<br /> “Some island in the Pacific,” she responded, looking out the window at her apartment building fading into the snowy fog.<br /> “Which one?”<br /> Sally turned to her friend. “That’s the question on everyone’s mind.”<br /> “Then I’ll assume there’s no answer.”<br /> “Correct.”<br /> “So what are you going to be doing if you don’t even know where you’re going?”<br /> “That’s a very good question. I’ll ask Alex when I see him.”<br /> Raimi let out a big belly laugh. “Alex Maloyez?” Sally nodded and Raimi laughed again. “I should have known. What’s that kid up to?”<br /> “We’ll both ask him when we get to the airport.”<br /> “I almost don’t want to know,” Raimi said, changing lanes. A car honked and Raimi yelled back. “Asshole,” he muttered under his breath.<br /> “I want to know,” Sally almost whispered. She opened her purse and took out her wallet. Inside was a photo of her and a man, two years her senior, standing on a beach. Behind them was a decrepit temple, something of a wonder at the time but she had seen so much more since then. A couple natives could be seen in the background, barely in focus. They were shirtless and practically naked, which had surprised her at the time. However, by the end of that trip she was more used to bodily freedom than the confines of modern society.<br /> “When was the last time you saw him?” Raimi asked, sending Sally on a first class trip from her memories to reality.<br /> “Years ago, I can’t really remember,” she responded. “But we’ve always kept in touch via the mail. He sends postcards from his various trips and I leave him letters at his house. We’re usually both a few months behind on the other’s current events and whereabouts.”<br /> Raimi, an older man with a graying beard that yearned to tell stories of the great unknown, turned to the girl beside him. “I haven’t seen that kid since that great trip to Kaliwei. You remember that?”<br /> Sally turned to accept her friend’s gaze, but he had turned back to the road. “How could I forget? That was where I met the two of you.” Her mind drifted again to the memory of the island in the photograph.<br /> Kaliwei had been an experience that no one in her circle of friends would ever forget. She had arrived on the island, journal in one hand, camera in the other, and a bag slung over her shoulder. She was greeted outside the eight-passenger plane by Raimi and Alex. Raimi was ten years younger then. His beard was fuller and he was still excited by the smallest possibilities in life. Alex stood next to him, a young man by comparison but a peer to Sally. Alex knew who she was instantly and she was immediately drawn to him, an attraction that had yet to dissipate.<br /> “You must be Sally Conor,” Alex said, rushing up to her. She was the last one off the plane. “My name is Alex Maloyez, and this is my friend and partner Raimi Sampson.”<br /> Raimi nodded, his smile never fading. He was wearing dark sunglasses but was still squinting. “It’s our pleasure to finally meet you, Miss Conor,” Raimi said, extending a hand.<br /> Sally accepted it in hers. “You can call me Sally. I expect we’ll be spending a lot of time together so we might as well get used to each other’s names.”<br /> “Straight forward, just like you said, Alex,” Raimi said. Alex smiled and looked at the fresh face across from him. Raimi had a wife on the island but Alex was free to survey the population. “You’re going to fit in well here on Kaliwei, Sally. I’m glad you’ve finally come for the hands-on experience.”<br /> They walked to the cargo area of the plane where Sally’s larger bag was resting. “Thank you, Raimi,” Sally said. “I couldn’t possibly have passed up on this opportunity.” She went to pick up her bag, but Alex immediately dived, intercepting it. She smiled. “Thanks. I packed enough for a month or so. I’m not sure exactly how long I’ll be here.”<br /> “You’re welcome to stay as long as you want,” Raimi said, motioning for them to start leaving the plane. “There’s always an extra place to sleep, plenty of food, and mediocre washing facilities that keep your clothes relatively clean for as long as you can stand the smell.” He laughed the belly laugh of a thirty year old.<br /> Raimi continued talking but Sally was not paying full attention to him. How could she with Alex right next to her, staring at her, sizing her up? It seemed that she was the first woman he had seen in years, which was impossible because the island was known for its extensive native population. Nevertheless, she was flattered by his attention.<br /> She had come from Boston where it was October and pressures of school, work and family had kept her from most social events. Alex sensed this without any words. He had that ability, to know what someone was thinking, and to know their past with a single look from head to toe.<br /> They reached the first village of many and Raimi disappeared into a hut. Alex walked into another. Suddenly Sally was alone. She looked at her surroundings, for the first time soaking it all in. The sun was bright even though the evening was beginning. The first hues of the sunset were starting to form. Oranges appeared at the horizon, over the endlessly blue ocean. Clouds seemed to disperse in an effort to make room for the sun in the sky.<br /> There were plenty of people on the beach, mostly dark skinned natives. They wore paint on their faces and bodies, which were barely clothed. Some children ran around naked, completely unaware of the differences in sex or age. It didn’t matter to them as much as it did to kids on the mainland where everything was controlled by the constructs of society. She felt free for the first time since childhood and let out a breath that seemed to finalize her trip. She was on Kaliwei and would be for some time, maybe forever if it was always this wonderful.<br /> Alex exited the hut, carrying drinks, a straw hat and a dress slung over his arm. “You haven’t moved,” he said when he stood next to Sally.<br /> “It’s more incredible than the books make it out to be,” she responded. Alex handed her a drink and she graciously accepted it. She drank and was overwhelmed by the flavor. It took the essence of the island atmosphere and made it liquid.<br /> Alex put the hat on her head. “You’ll learn that it’s better to be with a hat than without. Feel free to change styles, there are a variety, or make your own.” She looked to him, not sure why someone she just met was so compassionate. Maybe it was the tropical air that pushed all worries out of people’s minds. Alex held up the dress. “This is what the natives wear. Don’t feel obligated to wear it, but it may be more comfortable on the hotter days.”<br /> “How hot does it get?” she asked. She tried to look to Alex but her gaze was now fixed on the foliage emerging from the inland forest onto the beach.<br /> “That depends, really,” Alex replied. “For me, it’s never hot enough.”<br /> The car came to a screeching halt and Sally was thrown from her memories back into the passenger seat of Raimi’s Volvo. “Well, it looks like there’s an accident up ahead.” He reached into his pocket to grab a cigarette. “I wish people would truly learn to drive before they started driving.”<br /> Sally looked at her watch. It was past seven thirty. There was still time for her to get to the airport. “Do you think Alex will wait?” she said.<br /> “Well he invited you, didn’t he?” Raimi said, keeping the cigarette clinched between his lips as he searched for a lighter. Sally produced one.<br /> “I don’t know how important this trip is for him, or what it even means to him,” she sighed. Raimi accepted the lighter and she turned to look out the window once more. Snow danced over the rooftops and streetlights without regard of what damage it may do to any manmade structures. “I’m not even sure what I’m doing here. Does this make sense to you?”<br /> “To be honest,” Raimi said, taking a puff and exhaling out the window crack, “not much that kid ever did made sense to me. I’m surprised that half of our expeditions were successful. Alex just goes off and does and thinks what he wants, assuming that others will follow. And if they don’t, well that’s their own fault and he usually won’t slow down for others.” He inhaled again, already feeling his nerves calm down. “But, then again, he always had a special liking for you.”<br /> Sally would have blushed if she did not believe it. She turned to her friend and noticed he was halfway through the cigarette already. “Would you go?” she asked.<br /> “On this mystery voyage?” he responded. She nodded. “If I wasn’t tied down to life here, you know I’d be in that airport already. The only reason I’m not traveling with Alex is because of Nora. After Kaliwei all she wanted to do was settle down, find someplace that wasn’t always tropical.” For a moment Sally thought he regretted the marriage. Then Raimi chuckled. “But I love the gal, so what was I supposed to do?”<br /> The laughter was welcome, and the world seemed to enjoy it, for the traffic began to clear. “Finally,” Raimi said, shifting into gear. Sally checked her watch. They could still make it.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com1tag:blogger.com,1999:blog-3575694119791084396.post-26061202711000283482008-05-18T22:14:00.000-07:002011-08-14T18:35:26.968-07:00Razzle Mikini and His Band of MisfitsRazzle Mikini stepped into the doorway, silhouetted by the noon sun. He stood in the entrance between the two oak doors with a cowboy hat on his head and handkerchief around his neck. Dust swirled around him into the foyer. He drew deep on a cigarette that burned red, illuminating his face for an instant, but not his eyes. No one ever saw his eyes.<br /><br />The cigarette burned to its end and he tossed it onto the ground and stamped it out with his foot. "Well boys," he said in a mix of southern drawl and British accent, "the place is ours."<br /><br />A group of five suddenly filled the entranceway, blocking out any light for an instant as they ran past Razzle and into the house, hollering and waving their hands in the air.<br /><br />Mikini stepped forward and flipped the light switch. Although he could see in the dark, he wanted to know for sure what he had just acquired. Directly in front of him stood an imitation Greek statue in the middle of a luxurious fountain. He smiled at the naked figure and walked towards it. "You're going to see every little detail that goes on here," he said once he was face to face with the woman. "Promise you won't talk."Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-13694753887344134172008-04-16T14:38:00.000-07:002011-08-14T18:35:33.053-07:00Premature Exclamation"sure thin!g" - Support research to stop premature exclamation. Few realize that it afflicts one in five typersHarrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com1tag:blogger.com,1999:blog-3575694119791084396.post-11015496958213678872008-03-15T17:32:00.000-07:002011-08-14T18:35:50.214-07:00A Long Time Coming[i don't know what's up with me. i haven't written something substantial in a very long time, but i don't want this blog to be forgotten, so here is a little something that i wrote yesterday]<br /><br /><span style="font-weight: bold;">On a Cold Night</span><br />Sometimes<br />On a cold night<br />A fire lights up<br />and I cannot help<br />but stare into it;<br />be consumed by it<br />And wait for Morning to come<br /><br /><span style="font-style: italic;">This poem is actually part of a bigger plan: The idea is to write a book and have each chapter start off with a poem written by a character. The chapter will then reflect that poem. I'm not sure if it'll be one person writing all the poems, or different people. I'm unsure of the length and the plot. Very loose details right now.</span><br /><br /><br />The sheep, the monkey, the dog, and the pig, each leaders in their own right, met at a crossroads in the woods.<br />The sheep pranced forth, its head held high, looking down upon the others.<br />The monkey, ever playful, jumped onto the sheep's back, dirtying the otherwise white wool.<br />The dog howled and jumped into the fray, never one to stay out of a good fight.<br />And the pig passed by knowing it had dinner waiting for him.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-18366562864579916902007-07-28T21:28:00.000-07:002011-08-14T18:36:28.123-07:00Life's Little Laughs<span style="font-style: italic;">Written in under ten minutes as an exercise is flash fiction and free writing.</span><br /><br />Jake, once told by a bully that he was too little to play basketball, even though he was actually tall for his age, decided one day to see what it would be like if he did in fact play basketball, for he had never tried because of his insecurity. His mother warned him that the sport could be dangerous, not to mention tiresome, time consuming, and would only result in being in better shape and, maybe, more confidence. Nevertheless, Jake tried out for the team, succeeded in being the first freshman to get on it in nearly six years, and played his first game in early February.<br /><br />As luck would have it, the very same bully had chosen to play on the opposing team, even though he was no better equipped to be a sportsman, being a little overweight and with bad depth perception (he later needed eye surgery because his glasses, which he refused to wear, did not fix the problem).<br /><br />The stadium was packed, as was the custom for all early season games, and the excitement was at a fever pitch. Jake was handed the ball and he raced with it down the court, dodging teammates and opponents alike. As he stopped at an appropriate distance, he looked around himself briefly, noticing the once proud bully wheezing heavily and sweating profusely. Jake jumped, threw the ball, and it sunk with a definitive "swish" sound, proving to everyone that not only was he capable of playing basketball, but that he was destined to become the greatest player the school had ever seen.<br /><br />The bully, who Jake had once remarked would make a very interesting male stripper to a very interesting female crowd, by a strange twist of fate, dropped out of the sport soon after the first game and pursued a life of erotic dancing.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-68132139691205690352007-07-14T20:22:00.000-07:002011-08-14T18:38:53.507-07:00Untitled: Part 10 [EDITED]Ralph put his hand on the doorknob and Leon fired. The bullet ricocheted off the metal door and Ralph immediately backed off, flattening himself against the adjoining wall, just out of Leon's sight.<br /><br />"I hoped I was ahead of you," Ralph said.<br /><br />"Just barely," Leon replied, keeping his gun ready and attention at full. "You make one move toward the door and I won't miss."<br /><br />"I believe you," Ralph replied. "I'll have to turn around."<br /><br />"There's no way out," Leon countered. "You give up now and come easily and I'll make sure you get some sort of amnesty."<br /><br />"That's very reassuring."<br /><br />"It's the most you're gonna get."<br /><br />Silence.<br /><br />Leon, sweating, shifted his position, attempting to get a better view on the situation. He heard no noise from below him, no sign of Ralph staying put or attempting an escape.<br /><br />"What's going on down there?" Leon asked.<br /><br />"Oh...just mulling it over," Ralph replied after a moment. Quietly, Leon pushed the vent open with the front of his gun. "Don't forget how easily your friend fell."<br /><br />"Or how quickly he got back up," Leon said.<br /><br />Ralph laughed slightly and seemed to relax. "You don't even know what you're doing here, do you?"<br /><br />"Of course I do."<br /><br />"Then explain to me why you have no idea what I'm doing here."<br /><br />"I know enough about you to not be tricked again."<br /><br />"Then I have nothing more to say." Leon craned his neck into a new position, searching for any visual. After another second he heard a door open and shut. Without thinking, he kicked the panel open and fell to the ground. He groaned in pain as he landed, but still managed to do a quick 360 of the room. It was empty.<br /><br />He ran for the inside door which Ralph had presumably left through. Not expecting any resistance, he was unprepared for it to be locked. After several attempts, he concluded Ralph had damaged the mechanism and that he'd have to take the vent back out. Walking to the outside door to lock it, he wished for some way to contact Milo to tell him what happened. Not knowing any way to do that, he resigned himself to finish his task by contacting the mainland.<br /><br />With the last door to the outside locked, he jumped back into the vent and continued in what he hoped was the right direction.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-58217931005711141872007-07-10T00:07:00.000-07:002011-08-14T18:36:56.031-07:00Recent ActivityTime was, I could sit down at a computer and the ideas would just flow through my hands, into the keyboard, and before I knew it, I would have a story. It wouldn't always be well written, but the ideas would be there and it would be finished.<br /><br />Can't seem to do that these days. My serial story on this site is lagging, apologies. Plus I'm losing inspiration for the play I'm co-writing. My script idea I came up with several months ago is stale.<br /><br />But I have generated more ideas, as is want to happen. It's a film noir screenplay. It opens with a man driving down a lonely road, being followed, with a dying girl in his backseat. He's the narrator. It flashbacks to how he met the girl and what lead them to the present situation (details still unknown).<br /><br />I think I started writing something else, as well. Ideas keep coming and going. But lately I work too much to properly write.<br /><br />This isn't really a good post, but it's related to what this blog is about.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-41561794551373602822007-07-03T22:54:00.000-07:002011-08-14T18:37:03.792-07:00WEEKS, Pt. 1<span class="on menu-top" style="display: block;" id="formatbar_FontSize" title="Font size" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);toggleFontSizeMenu();ButtonMouseDown(this);"><span style="font-style: italic;">Conceived while driving to work last week.</span><br /><br /><span style="font-weight: bold;">MONDAY</span><br /><br />I hate Mondays. A lot of people say that, and I’m sure they mean it. But I don’t just hate the first day of the week. I hate Mondays. If the day was taken out of the calendar and Tuesday became the first day of the work week, I wouldn’t hate it as much. I just plain hate Mondays.<br /><br />And this Monday started out no different from the rest. I woke up and cursed the alarm clock with its increasingly loud buzzer. I keep it across the room to force me up. After a quick yawn and stretch, I did the treadmill for thirty minutes while watching the morning news: more of the same. Breakfast was cereal with sliced bananas and strawberries. I try to keep healthy.<br /><br />The commute is the last temptation of man. Those who can resist its rage-inducing atmosphere are stronger than I.<br /><br />In the rear view mirror I spot that lights I knew would catch up to me eventually. It was a trooper on his moped. He signaled with his hand to pull over. I turned up the radio for one defiant moment, then shut it off and pull to the curb.<br /></span>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-11769290189708690452007-06-24T18:19:00.000-07:002011-08-14T18:38:53.508-07:00Untitled: Part 9The thirty seconds went quickly. Leon and Milo parted ways, shaking hands. "It's not your fault, you know," Milo said. "It was bound to happen."<br /><br />"I know," Leon replied.<br /><br />Milo undid the latch for the ceiling compartments. A light ladder unfolded. They exchanged glances. "You were always prepared," Leon said.<br /><br />"As I said. It was bound to happen. We had to be ready."<br /><br />Leon nodded and started up the ladder. After him, Milo pushed the ladder back up, sealing the compartment. After a second's delay the lighting system flickered on. It was a soft white light illuminating the shiny clean silver metal duct. A constant, weak wind blew past. Leon wasted no time. Moving as silently and deftly as he could, he shimmied down the corridor.<br /><br />At a fork he turned left and went another hundred feet. He passed a vent in the side and peered into the room. It was empty. He spotted the door to the outside at the wall. With quick movements, he knocked open the panel beneath him and fell to the ground below. Reaching the door, he entered the same twelve-digit code, which was followed by a suction sound. Letting out a breath, he moved to the door to the room and locked it from the inside. Then he jumped to the duct and pulled himself up, shutting the panel after him. The whole process took under two minutes.<br /><br />With six doors yet to secure, and the security system to reset if Milo did not reach it first, Leon continued without hesitation. He found the next two doors with ease and had no trouble. At the third door he bruised his leg while attempting to get back in the air duct. He misjudged his grip and fell onto his knee. Repressing the desire to scream in pain, he breathed several deep breaths, squeezed the surrounding area, and stood up the moment he felt comfortable. He paced the room a couple times, then attempted the jump again with success. Still wincing, he continued on his path.<br /><br />The fourth and fifth lockdowns went smoothly, though he moved more slowly and felt pain with every step. Once back in the air duct, he moved as fast as he could to the next door, which was nearby. He turned a corner, then another, and spotted the next panel. Breathing a heavy sigh of relief, he reached it.<br /><br />Without warning, the lights in the compartment went out. Leon held the latch to the panel, and his breath, afraid to let either go. Through the corresponding vent, Leon could see the room below bathed in blue light. A figure moved through it to the outside door. It was Ralph.<br /><br />Keeping one hand on the latch, and slowly letting out a restrained breath, Leon reached for his gun.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-77415035969585137862007-06-10T22:58:00.000-07:002011-08-14T18:37:12.467-07:00Dharma<span style="font-style: italic;">Written in February of 2006. I was falling asleep on a futon when the poem suddenly came to me. It was sparked by recent related talks in philosophy class. Original titles: </span>2:11 a.m. <span style="font-style: italic;">and</span> In the Throes of Morning Passion<span style="font-style: italic;"> (the latter one I don't like at all anymore).</span><br /><br />So many ideas that<br />just come rushing and<br />in restraining them I<br />wrestle with the only true loves;<br />that is, to read, write and weep<br />for all the things I've lost in<br />this world, knowing all the things<br />I will gain.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-20571040203805148522007-06-08T20:43:00.000-07:002011-08-14T18:38:53.508-07:00Untitled: Part 8 - [EDITS]At first leaning on Leon's shoulder, Milo regained composure by the time they reached the automatic cafeteria door. "We've gotta find James," Milo said.<br /><br />"Who's he?" asked Leon.<br /><br />"The only other trained official here."<br /><br />The two walked into the hallway lit in the same blue glow. Milo rushed to the nearby door to the courtyard. At the keypad he entered a dozen numbers, resulting in an air locking sound. "At least one door's secure," he said, turning back to Leon, who stood a few feet from him, the first aid kit in one hand and the gun in the other.<br /><br />"There's no way we can lock all the doors to the outside," Leon protested, following Milo who gave no moment to rest. Milo walked quickly, wincing as his left arm attempted to sway in the usual motion. "And that guy's still inside."<br /><br />They reached Milo's room and both entered. Milo shut the door behind them and secured the padlock. He ignored Leon's protests. "How well do you know the layout of the building?"<br /><br />"Very," Leon replied. "Every man has to know his way around without a map."<br /><br />"Good," Milo said as he shuffled through drawers of a filing cabinet. As a reflex, he used his left arm, stopping each time as the pain came back. Finally finding what he was searching for, Milo turned back. With one motion he wiped his desk clear, knocking various items and documents to the floor, and laid out detailed floor plans. He looked at Leon's face which was studying the schematics. "Your knowledge will help, but the path you have to take, they did not teach you."<br /><br />Leon looked up at Milo. "These seem to follow the floor plans, but they're different."<br /><br />"They're air ducts, created for two purposes: to promote ventilation and provide an easy-access security route. It was designed to lead to every major room and exit and include its own lighting system. You've got thirty seconds to memorize it."Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-34171034836386135612007-05-29T20:27:00.000-07:002011-08-14T18:38:53.509-07:00Untitled: Part 7 [EDITS]Leon shuffled with Ralph to bring Milo to the cafeteria, the door to the courtyard automatically swinging shut after their entrance. Normally it would be short walk, but with the added weight and squeaky shoes it seemed like miles.<br /><br />The cafeteria door slid open as they approached it and staggered in. Milo breathed in labored breaths as they set him on a table. Soft music still played and Leon spotted his magazine, as if nothing outside the room had happened. All three left a trail of water beneath them, already accumulating into puddles.<br /><br />Ralph was quick to act and said little. After ensuring that Milo was secure, he ran to the kitchen area in search of first aid. He returned with a kit and handed it to Leon. "Take it," he commanded. "I've gotta turn the fence back on before they attempt a rescue."<br /><br />Ralph immediately departed, leaving a stunned and medically untrained Leon to figure out the rest. Leon first washed his hands and face of the excess mud, then tended to the few cuts and bruises Milo had. The bulk of the injury, Leon noticed, would be internal.<br /><br />Milo's eyes, shut, quivered slightly, then slowly opened. He coughed and strained to get up but could not. "I think your left arm's broken," Leon said, helping his partner sit up. "And there could be more."<br /><br />Milo groaned. "What happened?"<br /><br />"Ralph startled the creature and I was able to shoot it.<br /><br />Milo rubbed his head at an obviously swollen part. "Who's Ralph?"<br /><br />"Ralph Thistle," Leon replied. "I don't know exactly what he does but he was the one who was taken earlier."<br /><br />Milo spit up some blood into the now muddy mess next to the table. He breathed a long breath, contemplating. "There's no one b y that name at this facility."<br /><br />Leon blinked twice, sat down and then stood back up. "What the hell do you mean? How can you be sure?"<br /><br />"Because I evaluate everyone who works here and that man does not."<br /><br />On the last word the lights shut off and for a brief moment the two were awash in darkness. Seconds later an emergency blue lighting system turned on, illuminating the room bu keeping dark shadows.<br /><br />Leon spun to the entrance, gun raised, expecting Ralph to burst in at any moment. Milo pushed himself off the table and landed shakily onto his feet, steadying himself with his good hand. "Now we radio home and tell them we have ea problem...if the lines haven't already been cut."Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-290500090616815932007-05-23T20:15:00.000-07:002011-08-14T18:37:26.785-07:00Scenario StudySun sets over Los Angeles.<br /><br />I've heard people talk of the great wide open before, but to see it for myself was something I never imagined possible.<br /><br />Lights flicker in between silhouetted palm trees in a darkening blue sky. A sliver of a moon hangs low, still on its way up for its nightcap.<br /><br />Workmen come home and lock their cars, lock their fences, lock their doors. The air hangs loosely, parting for anyone wanting its aromatic stillness. The last of the joggers makes her way back to the house to shower, snuggle with her family and watch their favorite program. In the East there would be hot chocolate. Here there's a banana strawberry smoothie.<br /><br />I open the windows to let some of that cool air in, a sharp contrast to the hot dryness of the day. The breeze flows in, rustling the leaves of a fake house plant in the corner of the study. With it comes the soft sounds of dogs barking, cars moving, neighborly chatter, pool motors, and music.<br /><br />I lean back in the chair to the full relaxed position and look out the window. I take one final, long, tasteful, soulful drag of my cigarette and crush the butt in the ashtray. I exhale.<br /><br />I've discovered America.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-2631211159756675072007-05-23T12:41:00.000-07:002011-08-14T18:37:38.693-07:00Distraction<span class="on menu-top" style="display: block;" id="formatbar_FontSize" title="Font size" onmouseover="ButtonHoverOn(this);" onmouseout="ButtonHoverOff(this);" onmouseup="" onmousedown="CheckFormatting(event);toggleFontSizeMenu();ButtonMouseDown(this);"><span style="font-style: italic;">I wrote this while on a sleeper train in China in July of 2006. It's the culmination of a lot of philosophical thought from my Wisdom of th Orient class in Japan and traveling through the East. I really like the first long rant, but the second half still needs work, I feel.</span><br /><br />From life breeds a multitude of<br />attachments and erotic intents<br />meant to lure the unwary down<br />a road lit only by sporadic overhead<br />lamps and the dim laughter of a man<br />who once thought himself king.<br />Go through the steps it takes to realize<br />where and when you can escape and<br />plan your move past the locked<br />doors that keep you chained inside<br />a prison of your own desires.<br />Find not what you were searching for<br />but the peace you never imagined.<br /><br /></span>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-32848196578784997672007-05-17T13:04:00.000-07:002011-08-14T18:38:53.509-07:00Untitled: Part 6 [EDITS]<span style="font-size:100%;">Leon turned around back to the compound. In the fence entranceway lay a shadowed creature, its fur drenched. There was extremely shallow breathing, nothing near enough to sustain life. Leon walked up to it and stared.<br /><br />Through light dancing off the raindrops, he could see clearly human features that were dwarfed by animalistic tendencies. The teeth and jaw were sharper, made to rip through meat without the need of utensils. The nose was dog-like. Its eyes were shut but still held a look of attack. The whole face was covered in a light fuzz, with the rest of the creature completely covered in fur.<br /><br />Leon looked up and saw the other man standing over Milo. He walked towards them.<br /><br />"What the hell is that thing?" Leon asked of the other conscious person. "And who're you?"<br /><br />The other man quickly got to his feet and walked to the fence. Leon trailed him. "My name's Ralph Thistle. Help me." Ralph grabbed the creature's arms and started pulling it into the perimeter. Leon grabbed its legs.<br /><br />"I guess you're the guy I saw get taken earlier." There was no response except for a few faint grunts. Frustrated, Leon pressed on. "Could you do some explaining of this?" Leon said as he dropped the body near the fountain. He followed Ralph back to the fence.<br /><br />"I don't think I can," Ralph said, locking the fence. He checked it several times. "We'll need something stronger."<br /><br />"It's supposed to be electrified."<br /><br />"And we both know that's not the case." Ralph paused and looked into the forest. There was nothing to see. Leon wiped some mud from his face and shivered. He had hoped the rain would wash off the mud but he still felt the slimy stuff all over him. Ralph turned to the compound and the injured Milo. "Now come on. We've got to get somewhere safe."<br /><br />Leon followed Ralph to help pick up Milo's limp body. "What do we do with that thing?" Leon motioned behind him with his head.<br /><br />"We'll bring it in next," Ralph responded.<br /></span>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-4429153418716585122007-04-29T21:09:00.000-07:002011-08-14T18:37:59.475-07:00Developments in New AvenuesAfter many years of thinking it, it has finally come to fruition. I am co-writing a play!<br /><br />I've wanted to write a play for a while now, but I have no training and no eye to write one. However, I've tried to get various people involved in playwriting over the years. Each attempt has failed, and I'm to blame as much as the other people.<br /><br />But a friend and I recently discussed writing together, and today we met and talked for 3 hours. The first hour was just an idea frenzy, talking just to get a feel for how we each think and what we like. Then the play started forming around us. It was amazing how quickly it came about, and how many ideas we tossed off each other. One idea led to another, and since it was just a brainstorming session, we wrote everything down for future use.<br /><br />It's an absurdist play. I have no experience with them, but my partner does. It's one act, separated into several stages. The basic plot is this: the main character, currently named John, meets a girl, currently named Rebecca, at a birthday party in NYC. After some usual chit chat, Rebecca chokes and dies. But John was not expecting it to happen. The actress herself does not die, but her character does. And it is at this point that we realize that John knows he's in a play. So he starts to frantically worry about the play, the audience, what should he do, he takes out his script to study it. Rebecca was not supposed to die in the original script, so he's confused and has a bit of an existential breakdown. They call the police to report the death, and then line up people at the party to get a new Rebecca to finish the play. We find out that John really wants to finish the play because there's a kiss at the end, and he is lonely and is desperate for a kiss. As they search for a new Rebecca, the characters and setting change until the end result is different from the beginning. There'll be an "intermission" when critics come on stage to critique it.<br /><br />There's more to it, but that's the gist. I like it because it pushes the boundaries a bit about what can happen in a play, I think. We'll try to get the audience involved. It's not just a play you watch passively with a cohesive story, it's more. It won't be the typical theater. I think there's great potential and I'm very excited to work it through.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-801692561672740312007-04-27T22:39:00.000-07:002011-08-14T18:38:53.510-07:00Untitled: Part 5 [EDITS]Leon loosened the grip on his gun, then tightened it again to reaffirm its existence. He peered into the darkness, hoping for some sense of what was to come, but it was only a black hole. Through the rain, the lights barely affected the foliage outside the fence. He stole a brief look at his counterpart, and that's when it attacked.<br /><br />Without warning, a figure jumped out of the brush. Milo fired as a knee-jerk reaction, unsure of where exactly to shoot. The figure crashed into Leon, knocking him into the mud, splashing it all around. It scratched Milo's arm, pushing him to the side. Milo held himself up against a tree and fired again.<br /><br />The creature let out an agonizing yell. It stood on all fours on top of Leon, pinning his arms and legs to the ground. Leon, momentarily stunned, attempted to look at his captor. Rain poured onto his eyes, making any vision nearly impossible. He thrashed both his hands in a feeble attempt to get his gun but the creature's grip was painfully strong. It breathed in ragged breaths, seemingly unprepared for any type of resistance. A warm sensation near Leon's knee prompted him to raise his head and strain to look at it. A tiny red puddle stood out in the otherwise drab setting. The figure was bleeding.<br /><br />His arm bruised, Milo stood with his gun poised and ready. His eyes darted momentarily to the fence. They had left it open. He began inching his way toward it, slowly, so as not to attract too much attention. He kept his gaze on the dark figure. Small, beady eyes stared back at him. The figure was still shrouded in darkness, but Milo was sure it was something other than human.<br /><br />More rustling from the bushes caught Leon's attention. He strained to lift his head to see, but the rain and darkness were too thick. He laid his head back down, kicking up more mud and grinding it deeper into his hair, and moved his eyes around to try to see Milo. He saw him briefly, but the strain was too much.<br /><br />The rustling became louder and suddenly a man burst forth from the bushes. "Milo!" his voice called. The quick distraction was enough for the creature. It lunged at Milo, who had looked towards the stranger, bringing him to the ground, then rolling on its back and thrusting him into the air. Milo landed in the courtyard, just past the fountain, with a distinct thud, his gun missing.<br /><br />Leon wasted no time. He was up once the creature's pressure was released, his limbs still stinging from its force. He looked and felt in the mud as Milo flew through the air. Finally his right hand landed on the gun and he grabbed it and looked up. The creature walked into the courtyard and Leon fired, emptying the entire round.<br /><br />The man ran forward as the creature fell. Leon reached out his arm and stopped him. "Stay back, dammit!"<br /><br />"We have to secure the perimeter immediately," the man said. "There's more and they're coming." The man pushed past Leon, jumping over the creature.<br /><br />Leon turned towards the jungle, knowing his eyes and ears were useless. All he heard was rain. "Christ," he muttered.Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0tag:blogger.com,1999:blog-3575694119791084396.post-80494050118112180572007-04-25T19:20:00.000-07:002011-08-14T18:38:53.510-07:00Untitled: Parts 1-4 [EDITS]<span style="font-style: italic;">March '07 - April '07. Expect the conclusion to be coming shortly.<span style="font-style: italic;"><br /><br /></span></span><span style=";font-family:Verdana,Arial,Helvetica;font-size:100%;" > The smell of rain was nauseating. For three days it had rained, drenching the entire complex, and Leon Charles was sick of it. It wasn't just the smell, but also the feel of mud conforming to the shape of his boots whenever he stepped outside; the constant patter on all surfaces, a reminder that he could not escape. Someone asked him before the storm started if he was interested in getting off the island. "No," he had replied. "There's still things to do here." Now, one of three people who were stranded until the storm ended, he regretted not bringing his raincoat.<br /><br />He passed by a window and stole a brief look outside. The sun was still hidden behind dark clouds hidden behind rain drops hidden behind streaks of water on the window. He could make out the surroundings only because he had seen them so many times before. The courtyard outside was empty of people. In the middle a fountain spouted water into the air. Just behind it, hidden amongst palm fronds and small bushes, was the perimeter fence.<br /><br />He walked down the stairs, still half asleep. The door to the cafeteria slid open as he approached it. As usual, it was empty. The odds of meeting the other two people were slim. Each had their own work to do, with varying hours of operation. Yesterday Leon had met one in passing in the hallway. They exchanged a friendly nod and smile, but nothing more. Their lives were completely separate.<br /><br />He made himself a bowl of cereal and sat in the middle of the room. A radio played soft music over several speakers. He opened an auto magazine that he kept on the table and looked over the old articles. He had read every one already, but they helped to take him away from his work.<br /></span><span style=";font-family:Verdana,Arial,Helvetica;font-size:100%;" ><br /> A half hour later he dumped the bowl into the dishwasher and left the cafeteria. On the way to his office he passed another window and looked outside, as an automatic reaction. It was different. Someone was out there.<br /><br />Leon stopped just as he caught the image of a figure outside. He backed up and leaned against the window. Standing in the courtyard was a person, drenched in the rain. He stood bent, working on the fountain. He was getting sprayed from the fountain and rain.<br /><br />Suddenly the man stood upright. He looked around him, in the direction of the fence. He reached towards his side for the gun Leon knew he carried. Without warning a black shape passed into the courtyard. Leon, startled, backed away from the window, but only for a moment. When he returned, the man and shape were gone.<br /><br />"Oh shit," Leon whispered to himself. He wasted no time. He ran for the nearest exit.<br /><br />By the time Leon reached the courtyard he was out of breath. He paused at the the doorway, looking through the raindrops to the open fence. He thought about sounding the alarm, but reasoned that he could deal with this problem without the need for any trouble. No help could come, anyway, and it would only cause panic.<br /><br />He took a cautious step into the rain and immediately shivered. The rain and air were cold. After the initial shock, he wasted no time, and moved quickly to the fence. He reached it and stared blindly into the forest beyond. There was no hope of seeing the man unless he had stayed nearby. He hadn't. Leon closed the fence, locked it, and started back. In a minute he was inside, behind another locked door, safe. But he had to tell someone about what had just happened, in case there was an adverse effect.<br /><br />He first went to the cafeteria, but it was empty, his magazine the lone occupant. Next he sped down the hall, in the opposite direction of his office, dripping water down the hallway. His shoes squeaked in an otherwise quiet environment. He passed several doors and finally stopped at one. The named outside read "Milo Cervantes." Beneath it, "Systems Manager." Leon knocked. He heard a voice come faintly through the door. "Come in."<br /><br /></span><span style=";font-family:Verdana,Arial,Helvetica;font-size:100%;" > Leon turned the doorknob and slowly opened the door. It creaked, obviously aged, in contrast to the rest of the facility. Milo sat across from the door, at a desk, watching a muted TV. The lighting was low and the glow of the TV illuminated Milo's face. It was middle-aged, bearded, short hair, piercing eyes.<br /><br />"Shut it," Milo said, not unkind, without turning to face Leon. Leon obeyed. Once the door was shut, Milo turned to him. "Now, tell me, what's going on?"<br /><br />"Something's entered the perimeter," Leon responded quickly. His gaze never left Milo's, for fear of the potential result.<br /><br />"You saw it happen?"<br /><br />"Yes."<br /><br />"Then we've no time to lose." Milo was quick to act. In one swift motion the TV was off, he pulled a jacket over himself, and grabbed two guns from a drawer. He threw one in Leon's direction. "You know how to use it?"<br /><br />Leon took a moment to think. "Of course. It's part of the training."<br /><br />"Good, come on." Milo moved past Leon to the door. "You'll need your coat."<br /><br />"I'm not going back out there. I've heard of what's through that fence."<br /><br />Milo stopped at the door, his hand on the knob. He turned slowly. The dim overhead light casted shadows over his eyes, making dark holes. "And what do you think it is?"<br /><br />Leon started to speak, then stopped. He had heard the stories from older members of his crew. No one could properly explain the phenomenon that occurred outside the protected area. Few of the surviving members currently working had had direct experience with it. Most of the stories were several decades old. No employee of the past twenty years would have thought about leaving the fence without proper protection and transport.<br /><br />Milo stepped towards Leon and stood in front of him, their eyes staring at each other. "You don't come with me now, and whatever the hell you think is out there, will come in here...And then we'll have a bigger problem."<br /><br />Milo turned quickly and opened the door. "And grab a coat. It's pouring," he said as he passed through the doorway, leaving Leon momentarily paralyzed.<br /><br /></span><span style=";font-family:Verdana,Arial,Helvetica;font-size:100%;" > Leon followed Milo to the exit to the courtyard. Milo paused at the door and checked his gun, then turned to Leon, sizing him up.<br /><br />"No coat," Leon explained.<br /><br />"Of course," Milo replied.<br /><br />Milo opened the door and Leon shivered as the cold air rushed in. It brought with it the smell and feel he had come so accustomed to. It still sickened him. As Milo went out, he pulled the hood over his head. Amongst the sound of the patter on leaves and concrete came the additional patter on plastic.<br /><br />Leon shut the door behind him and braced for the rain. He stepped forward into it, straining to see anything in the wet haze.<br /><br />Milo lead them to the perimeter fence. It was still shut and locked. Milo looked to Leon. "You ready?" Leon nodded. Milo gripped the handle, turned it, and swung the door open. He and Leon stepped back for a moment, then stood in the entrance way, guns poised and ready. Leon gripped the pistol as tightly as he could in the rain.<br /><br />The two stood there, staring into the jungle. Leon suddenly heard a noise, a rustling of leaves and branches. Without changing his focus, he whispered to Milo. "You hear that?"<br /><br />"Yeah..."<br /><br />Leon squinted, trying to see through the rain. The rustling became louder, and closer. </span>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com1tag:blogger.com,1999:blog-3575694119791084396.post-52457202998607415562007-04-25T03:44:00.000-07:002011-08-14T18:39:22.516-07:00Purpose<span style="font-size:100%;">I already have a journal (goldh37.livejournal.com) that was originally used specifically to write about new ideas I had. It has started to veer away from that goal, so I have created this blog. It will be specifically involving fiction and poetry that I have written, or ideas that I am working out. Some may be thought out and some may be stream of conscious.<br /><br />Please comment if you have any positive or negative feedback.<br /><br />Thank you,<br /><br />Harrison<br /></span>Harrisonhttp://www.blogger.com/profile/13450181787675206232noreply@blogger.com0